Tuesday Tunes - Obscure CCM bands Vol. 2

Music has this incredible effect of burning lyrics and melodies into our brains. Those things may lay dormant for years until a random trigger may cause them all to come flooding back into our heads.

Today's obscure CCM band is a perfect example of that for me. 

The Waiting had a signature style, a signature sound, and a signature way of conveying their message lyrically. 

They started to make a name for themselves with Blue Belly Sky in 1995. Their peak was in the late 90's, particularly with the release of their self-titled third album. 

For me, they were an example of a consumer-formula that made me a fan. They had some songs on some "sampler" CD's that labels put out to promote their newer bands. Those singles convinced me to shell out my hard-earned cash to get the full album. 

The aforementioned third album, The Waiting, is a solid effort top to bottom. At some points they remind me of R.E.M. but that's the closest I can come to a comparison. They had a way of hitting you upside the head with their challenging and perspective-questioning lyrics that you couldn't see coming. 

From my own memory, songs like, "Never Dim", "How Do You Do That?", and "Hands in the Air" got a lot of attention. But for me it was the second layer of songs like "Number 9", "Pride", and "Better off as Friends" that kept me coming back. The latter especially turned what would become trope on its head. Instead of writing a song that could be vaguely descriptive of Jesus or a boyfriend, this one intentionally used that relational category to expose how we often flippantly treat our Savior. 

In a similar vein, I must mention one verse from "My Pride" that stopped me dead in my tracks the first time I heard it and still convicts:

I've wandered like an orphan

Down every dirty street

Till I stood before the Man

Who bent down to wash my feet

It's easy to wallow in nostalgia and opine about how no one really writes like this anymore in the CCM world. I think it may be true in this case, especially when you digest their full catalog. 

According to their Wiki page, they haven't retired as a band, but the members have generally gone their separate ways and more or less faded into the obscurity of their local lives. They made a mark on this young listener however, and I am grateful for both their creative music and their creative songwriting.

Music Mondays - Classic Comps Part 1

Twenty years ago, during the era when CD's were popular, Disc-man's were prevalent, and large stereo systems were the norm for any young adult's bedroom, the Christian music industry sought to capitalize on the Christian culture's desire to grow by mirroring the larger culture's trends.

This took many forms, including 'CD Clubs' with names like 'Power + Glory' which promoted various Christian artists  by often comparing them to their more popular secular counterparts. 

"If you like ___________, then check out ______________" the marketing stated.

Offering alternatives certainly had it's benefits, but when those alternatives were little more than poor imitations, it gave the CCM industry a reputation for mediocrity that it had a hard time shaking. 

In memory of that strange and unusual time, I offer this Music Monday of some randomly selected Christian bands and their secular comparison. I decided to avoid individuals for the sake of length. 

And next week, we'll look at the flip side - some CCM trailblazers who proved to be ahead of their time and larger cultural trailblazers as far as musical styles are concerned. So here is a list of Christian bands and the secular groups they owed a large part of their popularity too. 

Let me just mention that these particular songs are only meant to reflect the style of each band and not be a straight one-to-one comparison to the other song.

Bleach - Weezer

This one was obvious even at the time. Bleach was putting out really good music in their own right and like Weezer, they were only a niche band even at their peak. 

Plus One - NSync, Backstreet Boys

Of all the ways CCM tried to mirror pop music, this may be the most cringe-worthy. Did we really try to make a go of the whole Boy Band thing? Yes we did, and I'm sure someone made some money...but man...smh.

Polarboy -  Red Hot Chili Peppers, Counting Crows

I fell in love with Polarboy at apparently the end of their run which happened to coincide with the   release of Californication by the Chili Peppers. So while I was listening to the Back from Nowhere album, my hallmates my freshman year of college were blasting RHCP and at one point, I couldn't tell them apart very well.

The Waiting - REM

Two bands, both acoustically driven and both led by baldish-roundheaded-kind-of-short singers with memorable but unspectacular voices - one a gigantic Hall-of-Fame cultural icon while the other was a band that struggled to get even a couple hits on Christian radio. The Waiting still stands up though.

OC Supertones - Mighty Mighty Bosstones

The late 90's and early 2000's featured some interesting fads. One of the most remarkable was the popularity of Ska music. Instruments typically showcased in marching bands were suddenly adopted into rock bands that often featured a raspy-voiced lead vocalist. 

I grew to personally loathe this whole movement as my best friend and freshman year of college roommate used this as his alarm clock song that played through his stereo. Given I'm not a morning person and he commonly got up before I did, it wasn't long before I couldn't stand to hear even a note of any of it.

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This is no way is meant to demean theses artists as if they were all frauds. While it would be easy to be cynical about these artists, really that would be misplaced criticism. First of all, some of those Christian options were legitimately good and presented Christian truth in a relevant package. 

But looking back at that period overall, it is easy to cringe at much of it. But isn't it our own fault as a Christian culture that we accepted this 'milk' when we should have been clamoring for more 'solid food'? Shouldn't we have been more demanding of original styles and voices and creativity from the CCM industry?